Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Friday, May 1, 2026

"It is required of every man that the spirit within him should walk abroad among his fellow men, and travel far and wide."

 Why had I been so scared? Was I just lucky? The weather was good, although calling it cold would be more accurate, but this kept rocks in place instead of hurtling down towards my head. I was already at the top by 9am, which meant just under eight hours of moving time from when we started..

   When I was 39, I started casting about desperately for something that made sense as a mid-life crisis. I had no interest in sports cars. I already owned a motorcycle and rode it less than it deserved. The idea of exchanging my wife for a younger, blonder woman felt weird and cliché. There had to be some way to prove I still had it, that I was still a man in the prime of life. That I wasn't one foot in the grave. 

   At this point we'd already lived in Portland for 15 years. Living somewhere can be funny. When we go on vacation, I do my research, I prepare. I'm ready with the agenda, packed full of the quest for things, foods and experiences that make a location unique. But when you live somewhere, you can always tell yourself you'll have time to get to those things later. I have lists full of local color I want to investigate. But sometimes things stay on those lists. For years. The lists just lengthen and languish. Which is how I found myself staring at The Mountain. Mount Hood. Wy'east. A stratovolcano visible from just about any hill in town on a clear day. 11,249 feet of pointy white triangle. When I was a kid, my favorite book was The Hobbit. There was a Lonely Mountain in the book called Erebor. An unpleasant red dragon made its home there. When we moved to Portland from Chicago, I saw the Mountain for the first time and it reminded me of nothing more than Erebor. It still does. 

   I decided I was going to climb it. I called my friend Petra (Greek for stone) since I knew she was deeply in love with being outdoors and specifically with mountaineering. She'd been posting summit photos with hyperbolic excitement for nearly as long as I'd known her. We met up to have a drink at the Radio Room on Alberta and discuss how feasible this plan could be. I had a pilsner. It was the first disappointment of the evening.

   Mount Hood has a climbing season. During the winter the weather is too unpredictable and usually too chilly to attempt anything on the upper mountain. Clouds can appear quickly creating a disorienting whiteout condition. By midsummer, the sun has melted a lot of the rime ice near the peak. This is the ice that keeps all the rocks in place. I've been miles away on the mountain during the summer and heard these kinds of rocks fall. Some are the size of cars. In the autumn, there often isn't enough snow left to make the ramp that connects Crater Rock, a 550 foot tall lava dome near the top, to the actual summit via an inverted arch called the Hogsback. This will be relevant later. Which leaves springtime, when a traditional winter's snow has covered up the otherwise exposed rock, but there is enough sun to make conditions survivable for the average summit tourist.

   Petra informed me that I probably couldn't make the climb. I hadn't done much hiking, I had zero experience mountaineering. She'd attempt it with me anyways, but made me a bullet list of local mountains to practice on first. They included small but steep hikes like Dog Mountain and Kings Mountain, as well as some longer more endurance-heavy trails like Table Mountain and Mount Defiance. 

   I bought some hiking boots. I started going out every week. I began building up my kit, hiking with my wife, friends, co-workers, family, anyone I could sweet talk, cajole or bully into accompanying me. When no one else wanted to come, I would go alone. But every week I was outside, getting muddy, getting dusty, getting poison oak. On a trip to the White River Canyon near Timberline Lodge, Petra taught me how to self-arrest with an ice axe, how to put on crampons when my fingers were cold. I started keeping a spreadsheet, tracking distance, elevation, the quotient of the two. During summers my kids came along. This was not voluntary. 

   The following year, in May, I talked my friend Joe into making an attempt. He had summited several times in the past. I was pretty sure I was ready. I picked him up at 11:30pm and we headed up the mountain with our gear, mine rented. It's common to start climbing very early. Ideally you are up to the top and down before the sun warms the south face of the mountain enough to start dropping the big chunks of ice and stone. 

   There is a high elevation ski resort called Timberline Lodge on the south side of the mountain. They say it has the longest ski season of any lift in North America, and it is from this resort area that most attempts to summit are made. We pulled into the Timberline Lodge parking lot. 18 degrees Fahrenheit. A little windy. Certainly cold enough. I had hardly slept in my anticipation and excitement. Timberline regularly grooms a Climbers' Trail to the east of the ski slopes. We started up the Climbers' Trail where we could see the Silcox Hut. This is a cool wooden cabin about a mile uphill from Timberline Lodge, maybe 1000 feet of elevation gain. Every time I pass, I try the door, but I've never seen it open. The wind was right in my teeth and I closed my eyes, pretending I was sleeping while walking up the reasonably steep and slippery snow. This sleephiking became a common enough coping mechanism each time I attempted this trail. I also started counting my steps, hoping to push myself to higher numbers before having to stop and take a breather. This was only moderately successful in distracting myself. I started to make out shapes in the dark: tiny ridges, flat spots, little snowbanks. These were my immediate goals, each a battle unto itself. Just get to that one and we can re-assess. I remember doing this with mountains while driving home from college. Just get to that next one and we'll see. It was about this time Joe started having trouble with his boots. They had been stored upstairs in his house during the 2021 "heat dome" that set record high temperatures three days running. The heat had some sort of glue-melting effect on his shoes and they were starting to flap. The outer waterproof layers were separating from the foamy insulating middle layers and each step was becoming progressively more floppy. This would have been comical except we had just paid for a permit, driven an hour and a half to go walking up a steep hill in sub-freezing weather with rented gear. It was not a tough call to turn around. I remember getting home just as the sky began to lighten. 



   By the following January, we had a warm weather window. I had purchased my own helmet and the longest ice axe I had ever seen since none of the rental places carried one tall enough to suit me. The hospital where I worked was on strike so I had lots of time to get outside and enjoy the unseasonable warmth. A party from a local hikers' group was making a Hood attempt and I jumped at the chance. I rarely have luck getting mountaineers to carpool. I assumed outdoor folks that talk about their Leave No Trace principles would be more eager to reduce the amount of cars on the road. I think now that we all drive separately so we can turn back or continue on as we want, not depending on partners. This is both good and bad because you can bail early without feeling bad about messing up someone else's shot, but this allows you enough rope to hang yourself if you choose to go on without your partner. Regardless, I joined this group, drove myself to the mountain and sleephiked for several slow hours before sunrise. I passed the Silcox Hut and the Palmer snowfield . At the top of the Palmer Lift, there is a little snowbank created by the passing Snowcats. This is the spot where everyone can be found lining up to change gear. Some folks drop skis here, others carry them higher to the Devil's Kitchen. Many of the climbers stopped here to put on their crampons. By this point, I had paused often enough to catch my breath that my group had gone forward without noticing I wasn't there. There were plenty of people around, so the path upward was clear, but there was no one I recognized. I was already able to smell the sulphurous stink of the fumaroles from the parking lot, but as I continued higher, I began to approach their origin. The Devil's Kitchen is a flat section of the mountain where people often ditch their low elevation gear in preparation for the push up to the summit. Many skis stick straight up out of the snow, like a strange, brightly colored forest. It had taken me almost 8 hours to climb this far, but since we had started at 4am, it was now nearly noon and the sun's warmth was beginning to thaw the south face of the mountain. I climbed up past the shoulder of Crater Rock and started my ascent of the Hogsback. Due to the warm weather, I was being pelted with ice from the hikers above and ahead of me. I was plunging my ice axe into the slope when a chunk of ice the size of a softball hit me in the hand. I lashed my pack to the axe and got out something to eat. I felt like I was closer to standing against the slope than sitting. The hiker ahead of me decided he had seen enough and began heading down. I felt sick knowing that if I turned around and gave up on my summit dream this trip, the next time I would have to hike that whole 8 hours all over again. I weighed my lust for completing the goal versus the factors against me. I was functionally alone, unprepared physically, lacking correct equipment, exhausted, on a steeper slope than I'd ever climbed and ice was continuing to rain down around me. 

 
   Later that year, in May, we went up again. I had since summited nearby Mount Saint Helens via the Worm Trails (winter) route and discovered the joys of glissading. Basically, this is sliding on your butt down a steep snowy slope, using an ice axe as a primitive rudder held at your side. You don't want to do this with crampons on, because if they catch on some snow, you'll likely destroy some part of your leg as your body pivots around it at high speeds. This is also an inopportune time to bounce gear out of your pack as you'll need to climb back up the slope to retrieve it, sometimes for miles. 

   I remembered with annoyance and not a small amount of shame, the problem of being slower than the other people on the climb. When hiking with my children, I'm always the one pushing others forward. When I hike with people from work, it feels the same. Hiking with people who want to hike and do it regularly is different. They're faster, they don't seem to mind the oxygen deprivation that comes with altitude and I secretly think they require less snacks. So when the hike leader announced that the weather was too cold to start, and would start at 4AM instead of 1AM, I headed out and up anyways. I hated the idea of being left behind and assumed my party would catch up with me later. I sleephiked through another starry pre-dawn in bitter cold until I found myself at the Silcox Hut. There appeared to be no one else anywhere near me as I huddled in the lee of the building. A snowcat came and went as I shivered, crouched against the rugged wooden and stone wall. It began to dawn on my sleep-deprived, frozen brain that I was off-track. The Climbers' Trail was well east of the Silcox Hut. Looking that direction, I saw the tell-tale headlamps of other climbers, so I cut across the frozen and re-frozen mountainside till I was back on the trail, where I miraculously met up with my group. By the time we got to the top of the Palmer snowfield, everyone was feeling the cold. One person had injured their leg and I heard my group leader over someone's radio, calling it quits. I wasn't that sad to head home.

   At some point, my sense of disgust at not having completed my goal began to eclipse my sense of danger. Every drive to the east pushed the mountain into my face until it felt adversarial, like maybe I would never summit, like I should probably give up. Maybe it wasn't a realistic goal, or even a good idea. Doubts crept in. Was it safe? Did I enjoy my attempts? Why was I doing this? Who was I trying to impress with this? Every summer, autumn and winter between attempts became a cycle of these questions. 

   Last July I dragged my eldest daughter, Anna, along for a summit attempt on Mount Adams. It was a two day affair, with an overnight at 9300 feet. This was a very difficult trek for me; the first day involved choosing a trail through a wilderness while climbing 3000 feet up with 40 pounds of backpacking gear. Day 2 was not much easier. I'd left most of my camping gear at our overnight spot, but had considerable difficulty persuading a recalcitrant teenager to manage microgoals, one snowbank at a time up the unpleasantly steep slope to the first false summit. Coming over Piker's Peak and seeing the valley we still had to cross just to start climbing the real summit felt crushing. This was a valuable lesson in letting false summits get into my head. It would come in handy the following April when my daughter and I summited Mount Saint Helens. For much of the climb, the highest point we could see wasn't actually the top, but rather a ridge standing out between me and the true summit. Often the only way to realize this was to keep climbing. Only once we could see 360 degrees around and down, we would know we were at the top.

   Last December Anna and I made an attempt to climb up to Crater Rock. By this point she had already been up Mount Adams and had a little experience with crampons and an ice axe. We started late, around 6:30am. Our group went on ahead of us since we were slower getting our gear together. Fortunately it was a beautiful day and we weren't planning anything too dangerous, so being on our own was safe enough. We made it up as far as the Triangle Moraine, a mess of rocks and ice pushed by a glacier into the shape of a triangle. This felt like a pretty good spot to stop as the sulphur from the vents was making both of us a little nauseous.

   Late this April, a group was planning to make another Hood summit attempt. I checked in with the organizer and watched the weather. It looked like a few days of snow followed by clear days which would allow the fresh snow to thaw and re-freeze a couple times into something we could climb without snowshoes or high risk of avalanches. It was looking cold, around 8 degrees below zero after windchill. This time felt different to me. Like I was going to succeed or quit altogether. I felt like my goal had become an obsession. It was negatively impacting the way I looked at the future. A pattern of warmer winters, and less snowfall felt like a personal attack. I thought, maybe past winter conditions made this easier, which was why I couldn't do it now. Now I think that a summit is usually a combination of good weather, good preparation, perseverance and a modicum of luck. Though I'm not a big believer in luck, we still hold our breath in tunnels, knock on wood when someone tries to jinx us, we kiss our fingertips and touch them to the dash when we run a yellow light. There is a rock on the shoulder of Highway 26 we like to call Silent Rock. As you pass by, everyone stops talking, I turn off the stereo, we all play the quiet game as we pass. This is our totem, our charm, our gatekeeper to good luck on the mountain. I've driven by enough now to know when I'm approaching the Rock, even in the dead of night. This trip was no different, mute the stereo, keep my thoughts focused on positive outcomes and keep on driving. I arrived by 12:15am, a little early, to give me more time to gear up. My throat was just starting to hurt from a cold my daughter had brought home that would be with me for the next several weeks. I wandered over to the Climbers' Cave to try and locate the rest of the group and fill out a next of kin form that many big peaks have at the trailhead. I found the folks I had planned to travel with, and a couple that I had been up mountains with before. This was reassuring to me, since I figured I would keep up with them and have a little safety in numbers. I went back to the car to finish gearing up, opened my hand warmers and headed for the snow ramp out of the parking lot that led up to the Climbers' Trail.

   There were lots of us heading up so spirits were high. The wind was calmer at this lower elevation, but the sulphur aroma was already being carried down from higher up. Many of the skiers were already skinning up; the sound of their ski crampons reminded me of Jacob Marley's chains from A Christmas Carol. Shapes loomed in the darkness, enormous snowbanks that I failed to recognize from previous trips. After a mile, I saw the Silcox Hut off on our left. This was my first major landmark. I didn't feel too bad about it. I was still with my group, my fingers were cold, but they were always cold on the mountain. The hand warmers did not appear to be doing much. We were making good progress. We continued upward, aiming for the top of the Palmer snowfield. This would be another mile and change and was slightly steeper, though still on the groomed Climbers' Trail. This had become my least favorite part of the trail. Every time was difficult. I sleephiked for awhile, counted my footsteps to try and focus on something other than how tired I was, how cold my fingers were, how my toes felt like blocks of wood inside my insulated boots. I reassured myself that sunrise had to come eventually. For the first time, I was starting to feel really nauseous from the stench of the sulphur vents above. I had to take more frequent breaks to keep from throwing up. I started to question whether my slowness was lazy muscles, poor training or actual elevation sickness. I hadn't really experienced the associated cough and the nausea on previous mountains, but I was feeling it this time. 

   At the top of the Palmer Lift, many of the climbers had stopped to put on their crampons. Many more decided they had enough of the cold weather and were turning around. I caught up with my group again to see who was moving forward. Above this, the Climbers' Trail disappears and the trail becomes more laissez-faire. You sort of aim your nose towards the summit and keep pushing. I followed my own imaginary switchbacks as the slope continued to increase. It was still fully dark and every time I pulled off my gloves to fix my balaclava or check the time, my fingers threatened to freeze. My water line had already frozen, my sports drink bottle was mostly crystals and my toes were completely numb. I staggered over to a relatively flat snow plateau and tried desperately to get some feeling back into my fingers. They were very cold and despite being numb, very painful. 

   This was easily the worst part of the climb. Every mountain holds some sort of panic for me, a moment where I have to decide whether to give up. I know that if I do give up and go home, the next time I'll have to re-earn those terrible miles all over again. In the past, these freak-outs included huddling on the leeward side of the Silcox Hut by myself or icefall on the Hogsback or the struggle of encouraging someone up the mountain when they'd already given up on themselves. On the hardest part of Mt Adams, I once glued my jaws together with some frozen gummy bears. This time it turned out to be moderate frostbite. I was shivering so hard I could barely eat. I had nothing to drink that wasn't frozen so I was licking crystals out of the neck of a gatorade bottle. Once again, I was at a critical juncture. Could I stomach turning around and possibly giving up on my goal? Could I dig deep and summon the courage to go forward? I could not. I gave up. I prayed to God for strength. As my frozen tortilla wrap started to settle my stomach, I started to feel a little warmer. My panic began to subside. To the east, the sky began to lighten. I felt like I'd been taken apart and reassembled. I thought of the climbers that gave up because of the cold. I felt what they felt. I thought about previous attempts and how sad I was each time, knowing I would have to do that stupid Palmer mile again. I wasn't ready to give up. 

 
    By sunrise I was sheltered by the shade of the Steel Cliffs, the lower wall on the east side of Mount Hood's crater. This was the steepest section so far. This led me upwards to the Devil's Kitchen. There was a whole mess of folk swapping out gear, more people dropping off skis to lighten the load for the last couple of hours of climbing. I stashed my trekking poles and microspikes. From here on, it was going to be the ice axe and ice tool, a shorter curved version of an ice axe. I followed the boot pack up and around the east side of Crater Rock. This part felt the most dangerous since the path was wide enough for one, but there were a lot of people moving in both directions trying to use it. A misstep could mean sliding down into a sulphur vent. 

   A couple climbers who had summited the day before had shared that once we were beyond Crater Rock, instead of the Hogsback, we should be using the melted-out dirt patch called the Hot Rocks to ascend towards the chutes leading to the summit. This are was positively socked in with sulphur fumes, but the dirt was soft and the trail used switchbacks, which felt cushy compared to what I had climbed so far that day. From above the Hot Rocks I could look up the side of the crater and see the possible routes to the top. Most people were moving towards the 1'o'clock Chute, which I can only assume is named for its being a little to the right of due north when facing the mountain from Crater Rock. This was about as high as I had gotten in a previous attempt and I started questioning what made the previous time seem so tough. Why had I been so scared? This didn't look that tough, plenty of people were going at it. I anchored my pack to the slope with my ice axe and unlashed the ice tool from its loop. This might have been what I was missing the previous time; some form of spike for every limb. Even though I knew the slope wasn't more than 40 or 50 degrees, it was steep enough that I felt like I was crawling almost straight up. This might have been more intimidating if I were alone, which was in fact the case, since I had again lost my climbing group. But there were other climbers all over the place. It looked like a regular conga line. On my way up, another climber offered to move out of my way. I was also intent on going slow so I told her it would be more fun if we went up together, and just like that, we were friends. She introduced me to other members of her group and we all yelled greetings to each other, clinging like flies on a wall. Gradually we got accustomed to the falling ice from traffic above us and established a pragmatic right-of-way for people coming down next to us as we ascended. The strange puffy walls of rime ice rose around us as the chutes narrowed. We were feet from top. I felt the first rays of sunlight touch my face as I poked my head out of the chute and scrambled to get out of the way of people below and behind me. From here I could see the true summit across a catwalk. There were about 15 other climbers on what looked to be a broad flat spot. In my limited experience, summits tend to be almost flat on top, not pointy like they appear from a distance. We decided to hang out a few minutes before crossing over to the true summit, mostly out of an abundance of caution, as I remembered the threatening cornices all around the cone of Saint Helens. My new friends were in a climbing group from Seattle and since it was one member's birthday, they pulled plates, cupcakes, champagne, waffles and a tiny bottle of syrup out of their packs, all of which they offered to share with me. I had heard of summit beers before, but couldn't imagine they would help my sense of balance on a precarious descent. Nevertheless, I wasn't going to say no to a waffle on the summit of Mount Hood. 

   After that it got surreal. I had spent four years chasing this idea and here I was. This was big, as important as college graduation to me. Maybe more. Certainly more intentional. I'd re-tooled my whole life around achieving this. Every week the getting up and going out. The gear. The weird start times. The pestering people. All of it had changed me. My experience of God through the magnitude of a mountain, through the detail in a groundcover plant. My understanding of my own frailty. Learning to call the flowers and the trees by their names. Looking for my own. I'd come to an understanding that every experience has a price. I took my kids sledding this last winter. On our last run down the hill, we had a pretty epic crash. I landed on my neck as two of my daughters rolled over me. A funny crunching sound was all I heard, but on the way up the hill my eldest asked why I kept saying "Awesome". I had done something crazy and I had walked away. My neck was sore for a week, but I was fine with it. The blisters. The sunburns. The dehydration. The bike crashes. The chiropractic visits. All of these were prices I was willing to pay when I came down off a mountain, wrung out and clean. Ready to be made over again. 

Thursday, July 18, 2024

Our Band Could Have Been Your Life - a reflection on the 80s in underground music

 I've spent much of my adult life casting about for music to listen to. Without the concentration of peers common in college, the discovery of quality bands has shifted a responsibility onto my own shoulders. No longer are people bringing music to me; I have to chase it down myself. This has only recently been made more accessible due to YouTube and Bandcamp hosting almost every album I've ever heard of, or could hear of. The days of piracy via peer-to-peer servers are over for me. No longer do I have to wait to hear one song, or at best three or four from a classic album. It's all right there, available for my listening pleasure as soon as I get around to it. The pinch point has shifted from attainability to a dearth of listening time. Household projects and routine chores, even doing my taxes or processing photos have become a boon as they allow me the time to sit down, do something relatively mindless while I catch up on recent and ancient releases. Much of the time, this attempt to LISTEN TO ALL THE MUSIC has been a grab bag. I'm all over the place. Bands people have mentioned recently, bands I've written down in the last decade that people mentioned, bands that influenced bands I like, brand new bands I never would have discovered myself are now touted on websites by writers I've come to respect. Finding music is easy. But in order to find great music, I have to wade through a lot of outdated ideas, terrible budget-recording demos, endless self-indulgence. It's worth it to me though, as there are a lot of great moments out there for the taking. I just have to reach and discover them. I'm always searching for the chance to hear my favorite album, for the first time, again. 
    Michael Azerrad wrote a book called Our Band Could Be Your Life. It set the tone for a lot of later musical journalism that I've read and enjoyed of not only talking about bands, but telling their history, and why they might be important to you. There are a lot of albums/bands mentioned that didn't click either the first or the 20th time, but I'm always willing to try. The following is a list of all the recordings mentioned in the book that I listened through as I read it. I've been at it for a few years.

Black Flag - Nervous Breakdown EP
Black Flag - Jealous Again EP
Black Flag - Six Pack EP
*Black Flag - Damaged
Black Flag - My War
Black Flag - Family Man
Black Flag - Slip It In
Black Flag - Loose Nut
Black Flag - The Process of Weeding Out EP
Black Flag - In My Head
Black Flag - Who's Got the 10 1/2?
The Minutemen - Paranoid Time EP
The Minutemen - Joy EP
The Minutemen - The Punch Line
The Minutemen - What Makes a Man Start Fires?

Wednesday, December 27, 2023

Three Days on the Wildwood Trail

photo credit: Jule Gilfillan / OPB
    When I turned 40 a few years ago, I decided I needed a mid-life crisis goal. Living in Portland, OR, it's pretty easy to look around while driving and see Mt Hood. Summiting it seemed like an achievable challenge. I took a friend out to dinner who had been up it and routinely volunteered in mountain rescue. She gave me a list of trails to hike in order to train myself for the physical and mental exertion the mountain required. She also mentioned that the best time of year to go up was May and June. She said she'd be willing to climb it with me, but since it was already mid-March, this might not be the right year for it considering the gear and training I would need. 

    Starting that summer, I went out hiking every week, all year long. Sometimes it's difficult to find something nearby that I hadn't hiked recently and also within my comfort zone. 

    This last December, I decided I should walk all 30 miles of the Wildwood Trail in Forest Park. There are plenty of stories of people running it in one horrible day, but I found a blog post (here) describing a hike split into three legs. I knew I wouldn't be able to duplicate this timeline since I don't have three full days off in a row, but if I talked a friend into driving too, we could do it in heats as traverse hikes. Both drivers roll up to one trailhead, leave one car and get into the other, then drive together to the second trailhead. Once the hike is complete, they both get into the first car then drive back to the first trailhead, split up and drive home separately. This is how we used to tube rivers in the summer, so why couldn't it work for hiking?

    With my free time limited to one day a week, I decided we could do the three days over the course of several weeks during the month of December. I've done portions of the Wildwood before, but always found it a little boring compared to many of the hikes in the Columbia River Gorge or on the shoulders of Mt Hood. No waterfalls, no stunning panoramas, no dangerous river crossings, not even a talus slope to scramble across. What it does have is miles and miles of trails within a half-hour drive of the house. In the past I saved the Wildwood for those days when a high wind advisory or a blizzard made more interesting hikes unavailable. December would be perfect for this project since it's usually a rainy month in the Northwest. 


Day 1 - Wildwood Newberry trailhead to Springville Road trailhead (MI22.1) - 7.5 miles

Newberry Trailhead

    December 7, 2023: I roped my friend John into the first leg. My eldest and youngest daughters also came along. John and I used to drive the same mini-van, but of late his Sienna was moving towards retirement. When he showed up in his new Subaru, my daughters were afraid to get in, since they might get dirt on his floor mats. This might be a sort of window into what it's like growing up with me for a dad. Sometimes they'll ask permission to drink water in my car. Fault me if you think it fair, but you haven't seen the way they drink. Anyways, we parked my car at the trailhead down Springville Rd off Skyline Blvd, piled into John's new, clean, (white!) Forester and headed for the end of the line. I had decided to take the trail backwards since parking in Washington Park can be expensive, especially if you're there for six-plus hours. Once we arrived at the Newberry trailhead, the mile countdown began. It was overcast, and we had 15 minutes of pretty serious rain, but it was generally lovely weather for a vigorous walk. We weren't 200 feet down the trail before we started identifying mushrooms. First off was a tiny gash in root in the middle of the trail, full of scarlet elf cups.

Monday, October 16, 2023

That's Good Enough For Me by Jim Fusilli (transcript)

 That's Good Enough for Me

Cookie Monsters of death-metal music.

BY JIM FUSILLI

Wednesday, February 1, 2006 12:01 a.m. EST

While the extreme branch of heavy-metal music known as death metal is defined in part by often-vile lyrics about violence, catastrophic destruction, nihilism, anarchy and paranoia, its singing style is associated with a beloved goggle-eyed, fuzzy blue puppet.

Death-metal vocalizing is also known as Cookie Monster singing, if not in tribute to, at least in acknowledgment of, the "Sesame Street" puppet that blurts in a guttural growl, his words discharged so rapidly that they tend to collide with each other.

All this was news to people at Sesame Workshop, the nonprofit organization behind "Sesame Street." "We have nothing to do with it," said Ellen Lewis, vice president of corporate communications. "What is it?"

"It's a whole new thing to me," said Frank Oz, who originated the voice of the Cookie Monster. "I've never heard of it."

Most death-metal vocalists don't seem to mind the term. "We think it's funny," said Angela Gussow, lead singer for the Swedish band Arch Enemy and one of the few female death-metal vocalists. "We take ourselves too seriously."

The term is considered derogatory by some metal fans, but it's an apt description. Issued like machine-gun fire, death-metal vocals are low, guttural and aggressive, with no subtlety, no melody and very little modulation. But unlike the garbled sound emanating from the lovable and occasionally frenetic Cookie Monster, death-metal vocals seem to come from a dark spot in a troubled soul, as if they were the narrator's voice on a tour of Dante's seventh circle of hell. Cute and funny they ain't.

It's not easy to determine where and how Cookie Monster singing actually began. Early death-metal bands such as Death and Morbid Angel that emerged from Florida in the mid-'80s helped create the musical template that characterized the blasting sound as well as that of its Satan- and occult-obsessed sibling, black metal: fast, relentless drumming often featuring two bass drums; grinding, rapid-fire chording on guitars; squealing guitar solos; muted electric bass; unexpected sudden tempo changes; and a sense of theatricality that's inevitably threatening--"a horror film put to music" is how Monte Conner, a vice president at Roadrunner Records, sees it.

But while the vocals in early death metal are low, raspy and aggressive, not unlike the vocals by, say, Lemmy Kilmister of Motörhead, that extreme degree of Cookieness is missing.

Saturday, August 1, 2020

Late, but not Never (Favorite Death Metal Albums of 2019)

In the last two years or so I've drifted away from seeking out new metal bands. My interests seemed more in line with piano-heavy music like the jazz and hard-bop scenes from the 1930s to the 1960s. I was listening to piano music and playing the piano several hours a day. 

This last July I lost two people in my life. The first, a family member who might have been my earliest musical inspiration for playing piano; and the second, a friend with whom I played in my first metal band. Though neither death surprised me much given some long-standing health issues, they were a lot to swallow within the space of a week. I thought about the music that each of these men enjoyed playing. I felt that the piano side was covered, so maybe it was time to dig back into some metal. 

I aggregated various "best-of" lists from 2019, listened to 22 selections (mostly on my way to funerals) and winnowed down my favorites. My reviews are always critical and sometimes petty, but these are a few of the albums I really enjoyed:


Abyssal - A Beacon in the Husk
This was pretty sludgy, and while it added some thrashy drums and doomy vocals as it progressed, it never lost the shitty guitars which sounded alternately jangly or bassy and slightly out of tune, almost like someone was playing in the next practice space over. This is a sound I like a lot. There are moments of sheer glory, but they are familiar instead of surprising, and I wish I had written them as they seem so natural. Much of the tempo is slow, and frequently this feels vaguely meaningful. The thrashing of the faster sections never reach for that clinical precision of modern technical death metal, instead happily banging away in a garage somewhere. Beacon retains its sliminess with gritty sound and occasionally sloppy songcraft, which somehow lends authenticity to the project. The songs are noisy and ugly and catchy as shit. The album is a little long. After 58 minutes, I was a little exhausted from the pummeling.

Gatecreeper - Deserted
The Boss HM-2 rides again! That classic Swedish death-metal guitar tone was so in my face as this album opened that I felt like I had skipped ahead and missed the classic horror movie sample. The production was moderately clean but had enough dirt in it to keep me interested. The riffing was a little obvious and at times could be said to lack variety or creativity. The D-beat drumming felt immediately familiar and the whammy bar work was another throw back to classic death-metal. It sure sounded big, but it was missing the essential claustrophobia of my favorite early 90s Swedish death metal albums.

Memoriam - Requiem For Mankind
This album jumps right in with melodies reminiscent of an early 2000s death metal sound, clean enough to understand the vocals, grimy enough to rock. The album is chock-full of surface-level hooks, catchy enough, but only a few seem to stick in my mind. While not weird or astonishing, it’s a pretty solid album. Reading a little about the history of this band made a lot of sense towards explaining their sound and their appeal.

Thursday, November 28, 2019

Punk Died in the 70s: A Book Review

What did I just read?
The book is called Please Kill Me: The Uncensored Oral History of Punk. It was collected and curated by Legs McNeil and Gillian McCain.

What made this book interesting?
Please Kill Me attempts to piece together a linear narrative about the evolution of punk rock in America in 1970s. It does this by collecting and ordering interviews with primary and secondary figures on the scene, both musicians and support personnel.

What did I learn from this book?
Many of the big names in the early punk scene have attained a mythical status, but the authors portray these figures in a humanizing way, often to the subjects' detriment. This was both disappointing to learn, as I had idolized many of them, but also interesting, as it made them seem more like people instead of punk rock gods.

Who was my favorite character?
Iggy Pop was the most compelling, not only because of how early he and his band are considered part of the scene, but also the way he portrays himself as a victim both of circumstance and of his own poorly controlled impulses. The early Ramones were bored teenagers completely lacking in morals, and the British scene felt like a caricature of the New York scene, but Iggy Pop seemed connected everywhere, almost as though he were accidentally orchestrating something.

Final thoughts?

Sunday, January 6, 2019

Cake or Death: A Book Review

   At a party in 2008, my wife mentioned that I was in a "metal phase" right now. Ten years later, I've finished reading a third book on extreme metal subgenres. This doesn't sound very impressive as I write it, but keep in mind that I've listened to every album mentioned in these books. Sixteen months ago I finished a book and a playlist that focused on black metal, Dayal Patterson's Black Metal: The Evolution of the Cult. The book was a quick read; the playlist took about two and a half years. (review here) When I started the book, I knew quite a bit about the scene after finishing Søderlind and Moynihan's Lords of Chaos, but very little of the music. When I was finished listening to every album mentioned in Patterson's book, I felt qualified to argue with anyone in town about what was trve and what was kvlt, and how none of that mattered. I also knew what sound I was after in the black metal band I had formed with some friends. 
   The book was originally a gift, but by the time I was finished, I had enjoyed the process enough that I wanted to do it again. I bought Albert Mudrian's Choosing Death and started over. There was a surprising amount of crossover between these books, especially during the early years of the metal scene as heavy metal pushed itself into extreme metal with its many sub-genres. I learned several things from this book. Choosing Death bills itself as a history of both grindcore and death metal. I learned I like death metal more than grindcore, though not exclusively. I also learned just how many early death metal bands originated in England; I had expected a lot more from Florida and Scandinavia. I learned to recognize a classic death metal guitar tone with one guitar effects pedal, the Boss HM-2.

Saturday, August 26, 2017

Testing the Metal

During the Christmas Season of 2014, my drummer Merlin gave me a book about black metal, a subgenre of metal known as much for teenage misbehavior as for substandard recordings. I'd already read Michael Moynihan's Lords of Chaos, which detailed some of these criminal rampages. This newer book, Black Metal: Evolution of the Cult, mentions many of the same events, but is also more focused on the steps that these same bands took while evolving from early thrash through second-wave to avant-garde experiments. The author, Dayal Patterson, discusses the boundary-pushing that led to some of the milestones of the genre, such as Burzum's droning masterpiece of ambience Dunkelheit (the first black metal song I'd ever heard) or Wolves in the Throne Room's evolved production on post-black metal tour de force Two Hunters.
In an effort to further understand a genre that I love and in accordance with completist tendencies, I listened to every album mentioned in the book. There were a few more that I came across or were suggested to me while working on this project that weren't listed in the book; I think of them as extra credit.
Keep in mind, each item listed below is an entire album, whether LP, EP, or split. This has been a 2 1/2 year listening project.

Venom - Welcome to Hell
Venom - Black Metal
Venom - At War With Satan
Mercyful Fate - Melissa
Mercyful Fate - Don't Break the Oath